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 crossroads:
children & youth, death, deconstruction, interdisciplinarity, media, memory, mysticism, myth, religion, ritual, spirituality, time, transformation, war
genre (subgenre):
Visual Arts (installation art)
information provided by:
DSV Du store verden
Bell developed a poetic dialogue between his elements, finding metaphors for these tender human concerns. Evolving gradually both through intellectual thought processes and through practical issues of material and formal considerations, he reaches out for that state between sense and reason which... More Information |
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crossroads:
civilisation, everyday life, metropolises, nature, water
genre (subgenre):
Visual Arts (curating art, drawing, installation art, object, photography, sculpture)
information provided by:
Intercult
When people migrate, thoughts, ideas, dreams and objects travel with them, all of which are important links with the past. Migrants become strangers to those they leave behind, and are strangers on arrival at their destination since migration produces loneliness. Migrants need thier own space, a... More Information |
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crossroads:
interculturalism, multi-culturalism, wind
genre (subgenre):
Architecture (Feng shui, Interior design)
Visual Arts (object, painting, sculpture) information provided by:
DSV Du store verden
The art critic from Dagbladet wrote that Mai Cheng Zheng´s "long journeys into remote cultural sources have given her paintings a hybrid character." Here the magic masks of pre-Colombian Maya-culture are neighbors of Chinese calligraphy, and Egyptian hieroglyphs are joined by the... More Information |
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crossroads:
religion, spirituality, tradition
genre (subgenre):
Music (folk)
information provided by:
BSCC
They cannot be blamed for omitting to give a caution: “WARNING: Drums, fiddle and accordion may cause severe addiction” is written on Flukt’s record “Drufiacc”. Well, and that’s just how it is. More Information |
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crossroads:
Detachment, Distance, emotion, history, politics
genre (subgenre):
Music (general)
Performing Arts (performance, theatre) information provided by:
Intercult
No Doctor for the Dead is an intimate concert performance. The aim of this work has been to bring out the poetic texts and support them through music and movement in a bold and expressive style. They are texts with a special sensitivity to political, historical and social questions like war, peace,... More Information |
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crossroads:
border, communication, identity, time, transformation
genre (subgenre):
Design and Crafts (textiles)
Visual Arts (drawing, installation art, object, painting, sculpture) information provided by:
DSV Du store verden
Danuta Haremska`s objects and pictures present us with rooms and receptacles that appear to be closed. These works give the impression they are concealing secrets, keeping them safe from the eyes of any observer. But what is it the objects wish to hide and protect? The answer to this question... More Information |
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crossroads:
capitalism, consumerism, deconstruction, ecology, industrialisation, memory, pop-culture, Society, time
genre (subgenre):
Visual Arts (installation art, land art, object, photography, photomontage, video art)
information provided by:
Intercult
Siri Hermansen´s work can be described as an ongoing artistic investigation where the deconstruction and dissecting of reality creates a contrast between the immediate visual observation and the conceptual significance of various objects. The fragments, collected from everyday life, that are... More Information |
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crossroads:
diversity, globalisation, identity, interculturalism, multi-culturalism
genre (subgenre):
Visual Arts (curating art)
information provided by:
Intercult
Marith Hope was educated as an artist in the UK and now works as a curator in Oslo, Norway. She has played and important role in introducing non-western art to Norway and facilitated with her expertise many cross-cultural collaborations. More Information |
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crossroads:
apartheid, exile
genre (subgenre):
Visual Arts (graphic, painting)
information provided by:
House of World Cultures
In the 70s the South African artist Gavin Jantjes used his art to speak out loud and clear against the policy of apartheid. Above all his “South African Colouring Book” (1974/1975) was a radical stocktaking of South African reality, at once documentation and indictment. The regime was not long in... More Informationother language:
deutsch
Crossroads:
Apartheid, Exil
Genre (Subgenres):
Bildende Kunst (Grafik, Malerei)
Der südafrikanische Künstler Gavin Jantjes bezog mit seiner Kunst in den siebziger Jahren unmissverständlich Position gegen die Politik der Apartheid. Vor allem mit seinem „South African Colouring Book“ (1974/1975) schuf er eine radikale Zustandsbeschreibung der südafrikanischen... Mehr Informationen |
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additional names:
New Dawn Artists
genre (subgenre):
Film (bollywood, commercial film, feature film)
Performing Arts (dance / Bharata Natyam, dance / Kathakali, theatre) information provided by:
DSV Du store verden
Even in the times where she was a student at the controversial Nordic Black Theater Theater School, Sophia enraptured audiences with her performances. In her graduation project, she starred in the weighty intellectual "Confessions At Dawn", showing her ability to master long monologues.... More Information |
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crossroads:
contrast, imagination
genre (subgenre):
Visual Arts (installation art, sculpture)
information provided by:
DSV Du store verden
When Eva Kun works in the bordering areas between sculpture and architecture, i.e. in what lies between the arts, as defined by Greenberg and Fried, she breaks from the central dogma of the Greenbergian and Friedian comprehension of modernism. There is also another area where she makes this break.... More Information |
